Richard Parkes Bonington
1802–1828 · Realism
Richard Parkes Bonington was an English Romantic landscape painter. He moved to France at the age of 14 and can also be considered as a French artist, and an intermediary bringing aspects of English style to France. Becoming, after his early death, one of the most influential British artists of his time, the facility of his style was inspired by the old masters, yet was entirely modern in its application. His landscapes were mostly of coastal scenes, with a low horizon and large sky, showing a brilliant handling of light and atmosphere. He also painted small historical cabinet paintings in a freely-handled version of the troubadour style.
36 paintings
- View on the Grounds of a Villa near Florence (1826)
- The Doge's Palace, Venice (1826)
- Christ preaching - unfinished
- The Giudecca in Venice (1826)
- Evening in Venice (1827)
- The Angel Leaving Tobias and His Family, after Rembrandt (1824)
- L'espace (1826)
- The Interior of Sant' Ambrogio, Milan (1826)
- The Proposal (recto); Unfinished drawing of a horse and rider (verso) (1820)
- View of Rouen from St. Catherine’s Hill (1821)
- Rouen Cathedral, Sunrise (1825)
- The Descent from the Cross (1820)
- Beached Vessels and a Wagon near Trouville (1825)
- Seated Turk (1826)
- A Fish-market near Boulogne (1824)
- Corso Sant'Anastasia, Verona (1828)
- Calais Jetty, France (1824)
- In the Forest at Fontainebleau (1825)
- Barges on a River (1826)
- Grand Canal, Venice (1826)
- A Wooded Lane (1825)
- A Knight and Page (from Johann Wolfgang von Goethe’s “Götz von Berlichingen” ) (1826)
- Near Quillebeuf (1824)
- The Grand Canal, Venice, Looking Toward the Rialto (1826)
- View of the Canal Grande and Rialto-bridge in Venice (1827)
- The Doge's Palace, Venice (1826)
- A River in Normandy (1824)
- François Ier, Charles Quint et la duchesse d'Étampes by Richard Parkes Bonington (1827)
- On the Adriatic (1826)
- Die normannische Küste (1823)
- View of Venice: The Riva degli Schiavoni and the Doges' Palace (1827)
- Roadside Halt (1826)
- View near Rouen (ca. 1825)
- The Use of Tears
- La Ferté (1825)
- The Grand Canal (1826/1827)