Pedro Américo
1843–1905 · Impressionism
Pedro Américo de Figueiredo e Melo was a Brazilian novelist, poet, scientist, art theorist, essayist, philosopher, politician and professor, best remembered as one of the most important academic painters in Brazil. He showed an inclination towards the arts from a young age, being considered a child prodigy. Before the age of ten, he participated as a draftsman on an expedition of naturalists through the Brazilian northeast, and received government support to study at the Imperial Academy of Fine Arts. He furthered his artistic studies in Paris, but he also dedicated himself to science and philosophy. Soon after his return to Brazil, he began to teach at the academy and began a successful career, gaining prominence with great paintings of a civic and heroic character, inserting himself in the civilizing and modernizing program of the country fostered by emperor Pedro II, of which the Imperial Academy was the regulatory and executive arm in the artistic sphere.
22 paintings
- Independence or Death (1888)
- Hamlet’s Vision (1893)
- The Battle of Avaí (1874)
- The Liberation of Slaves (1889)
- Tiradentes Quartered (1893)
- The night accompanied by the geniuses of study and love (1883)
- Portrait of the poet Luís Nicolau Fagundes Varela (1888)
- Faust and Gretchen (1500)
- The Emperor's speech (Peter II of Brazil in the opening of the General Assembly) (1872)
- Zelfportret (1893)
- Portrait of the Viscount of Santo Amaro (1878)
- Passagem do Chaco (1871)
- Judith and Holofernes (1880)
- A Carioca (1882)
- Joana d’Arc (1883)
- The Vote of Heloíse (1880)
- Árab violin player (1884)
- Moses and Jochebed (1884)
- Retrato de Maria Custódia Guimarães de Almeida (1870)
- Retrato de Silvino de Almeida Brito
- Retrato do Conselheiro Filipe Lopes Neto (1882)
- São Jerônimo (1867)