Max Beckmann
1884–1950 · Expressionism & Early Modernism
Max Carl Friedrich Beckmann was a German painter, draftsman, printmaker, sculptor, and writer. Although he is classified as an Expressionist artist, he rejected both the term and the movement. In the 1920s, he was associated with the New Objectivity, an outgrowth of Expressionism that opposed its introverted emotionalism. Even when dealing with light subject matter like circus performers, Beckmann often had an undercurrent of moodiness or unease in his works. By the 1930s, his work became more explicit in its horrifying imagery and distorted forms with combination of brutal realism and social criticism, coinciding with the rise of Nazism in Germany.
40 paintings
- Perseus's Last Duty (1949)
- Birds’ Hell (1937)
- Dance hall (1909)
- Moon Night by the Sea (green) (1938)
- Café (Hotel de l’Europe) (1947)
- Still life with pallets (1944)
- Still Life with Roses (1927)
- Still life with Turkish league (flowers with cigar box) (1926)
- Actors (1941)
- Woman thinking by the sea (1937)
- Half Nude Clown (1944)
- Mother and Child (1936)
- Vampire (1948)
- Reclining Woman with Pinks (1941)
- Small Death Scene (1906)
- Self-image at the bar (1942)
- Apollo (1942)
- Self-Portrait Yellow-Pink (1943)
- Small Painting with Bathers (1947)
- Self-Portrait with Horn (1938)
- Resurrection (1916)
- The Kitchen - Quappi with Fishes (1936)
- Quappi and Indian (1941)
- Lady with hat and veil (1941)
- Stormy Day (1905)
- The Street (1911)
- Still Life with Red Roses (1914)
- The Catfish (1929)
- Mars and Venus (1939)
- Clown with Women and Small Clown (1950)
- Portrait of the Family Lütjens (1944)
- Self-Portrait with Red Scarf (1917)
- Woman with mandolin in yellow and red (1950)
- Evening on the Terrace (1928)
- Still Life with Saxophones (1926)
- The Night (1918)
- Lido (1924)
- Portrait of Mink with Violet Shawl (1910)
- Scene from the Destruction of Messina (1909)
- Quappi in a Pink Jumper (1934)