James Barry
1741–1806 · Neoclassicism
James Barry was an Irish painter, best remembered for his six-part series of paintings entitled The Progress of Human Culture in the Great Room of the Royal Society of Arts in London. Because of his determination to create art according to his own principles rather than those of his patrons, he is also noted for being one of the earliest romantic painters working in Britain, though as an artist few rated him highly until the fully comprehensive 1983 exhibition at the Tate Gallery led to a reassessment of this "notoriously belligerent personality", who emerged as one of the most important Irish artists. He was also notable as a profound influence on William Blake.
21 paintings
- Venus Anadyomene (1772)
- Elysium, or the State of Final Retribution (painting 6 of 6 in the series 'The Progress of Human Knowledge and Culture') (1789)
- A Grecian Harvest Home, or Thanksgiving to the Rural Deities, Ceres, Bacchus (painting 2 of 6 in the series 'The Progress of Human Knowledge and Culture') (1780)
- Commerce, or the Triumph of the Thames (painting 4 of 6 in the series 'The Progress of Human Knowledge and Culture') (1789)
- The Distribution of Premiums in the Society of Arts (painting 5 of 6 in the series 'The Progress of Human Knowledge and Culture') (1789)
- Orpheus (painting 1 of 6 in the series 'The Progress of Human Knowledge and Culture') (1780)
- Crowning the Victors at Olympia (3 panels; painting 3 of 6 in the series 'The Progress of Human Knowledge and Culture') (1780)
- William Hunter (1718–1783) (1784)
- Jupiter Beguiled by Juno on Mount Ida (1790)
- Hendrickje Stoffels in a White Cloak (copy after Rembrandt)
- Thomas Harrison (1744–1829)
- Jupiter Beguiled by Juno on Mount Ida (1790)
- King Lear Weeping over the Dead Body of Cordelia (1787)
- The Education of Achilles (1772)
- James Barry; Dominique Lefevre; James Paine the Younger (1767)
- Samuel Johnson (1779)
- Portrait of Edmund Burke (1729-1797), Statesman, Orator and Writer (1774)
- The Death of Adonis (1775)
- Iachimo Emerging from the Chest in Imogen's Chamber (1790)
- Landscape with a Man Washing his Feet at a Fountain (1767)
- Self-Portrait as Timanthes (1800)