J. M. W. Turner
1775–1851 · Romanticism
Joseph Mallord William Turner, known in his time as William Turner, was an English Romantic painter, printmaker and watercolourist. He is known for his expressive colouring, imaginative landscapes and turbulent, often violent marine paintings. His artistic style developed over his lifetime, moving away from Romanticism—bypassing the following rising style of Realism—and, instead, with his later works being a significant precursor of and presaging the later Impressionist and Abstract Art movements that arose in the decades after his death. He left behind more than 550 oil paintings, 2,000 watercolours, and 30,000 works on paper. He was championed by the leading English art critic John Ruskin from 1840, and is today regarded as having elevated landscape painting to an eminence rivalling history painting. In 1969 art historian Kenneth Clark wrote of Turner: "He was a genius of the first order—far the greatest painter that England has ever produced..."
40 paintings
- Valley of Aosta: Snowstorm, Avalanche, and Thunderstorm (1836–37)
- Fishing Boats with Hucksters Bargaining for Fish (1837–38)
- The Burning of the Houses of Lords and Commons, 16 October 1834 (1835)
- Queen Mab's Cave (after 1846)
- Morning amongst the Coniston Fells, Cumberland (1798)
- London from Greenwich Park (1809)
- Caligula's Palace and Bridge (1831)
- The Ponte Delle Torri, Spoleto (1840)
- Landscape with Water (1840)
- Going to the Ball (San Martino) (1846)
- Light and Colour (Goethe's Theory) – The Morning after the Deluge – Moses Writing the Book of Genesis (1843)
- Rain, Steam and Speed – The Great Western Railway (1843)
- The Fighting Temeraire (1839)
- Sun Rising through Vapour (1806)
- Margate (1806)
- Venetian Festival (1845)
- Stormy Sea with Blazing Wreck (1837)
- Sunset From the Top of the Rigi (1844)
- Lake Lucerne: the Bay of Uri from above Brunnen (1844)
- The Golden Bough (1834)
- Venice, the Piazzetta with the Ceremony of the Doge Marrying the Sea (1835)
- Bacchus and Ariadne (1840)
- Story of Apollo and Daphne (1837)
- The New Moon; or, ‘I’ve lost My Boat, You shan’t have Your Hoop’ (1840)
- The Visit to the Tomb (1850)
- Apullia in Search of Appullus (1814)
- The Fall of an Avalanche in the Grisons (1810)
- Apollo and Python (1811)
- Sketch for ‘Ulysses Deriding Polyphemus’ (1827)
- The Vision of Jacob’s Ladder (?) (1830)
- Archway with Trees by the Sea; Sketch for ‘The Parting of Hero and Leander’ (1827)
- Dido building Carthage (1815)
- Calais Pier (1803)
- Mortlake Terrace (1827)
- Keelmen Heaving in Coals by Moonlight (1835)
- Boats Carrying Out Anchors to the Dutch Men of War (c. 1804)
- The Rape of Proserpine (1839)
- The Evening of the Deluge (c. 1843)
- The Dogana and Santa Maria della Salute, Venice (1843)
- The Burning of the Houses of Lords and Commons (1834)