Frans Francken the Younger
1581–1642 · Baroque
Frans Francken the Younger was a Flemish painter and the best-known and most prolific member of the large Francken family of artists. He painted large altarpieces for churches as well as smaller historical, mythological and allegorical scenes. His depictions of collectors' cabinets established a popular new genre of art in the era. Francken often collaborated with other artists, adding figures and narrative elements to scenes created by specialists in landscape, architectural and floral still life paintings.
39 paintings
- Ecce Homo
- Mocking of Christ surrounded by images of the Evangelists and scenes from the Passion of Christ
- The Seven Works of Mercy
- Death and the Miser (1630)
- Vase with Tulips (1620)
- A Visit to the Art Dealer (1636)
- The Collection of paintings of Sebastiaan Leerse (1625)
- Apelles Painting Campaspe
- A Collection (1619)
- The Miraculous Rescue of Maximilian of Austria
- Eteocles and Polynices
- Miraculous Events at the Grave of Saint Bruno the Carthuisian (1630)
- The Acts of Mercy (1608)
- Emperor Diocletian shows the image of Aesculapius (1624)
- The Four Crowned at work (1624)
- Martyrdom of Four Crowned (1624)
- The Four Crowned at work (1624)
- Blazon of the Chambers of Rethoric "De Violieren (1618)
- Monkeys in the Kitchen (1620)
- The Visitation of the Sick from the Seven Acts of Mercy (1620)
- Podobenstvo o boháčovi a Lazarovi - O 235 - Slovak National Gallery (1615)
- The Temptation of St. Anthony (1621)
- Die Kreuzigung Christi (1600)
- Solon und Krösus (1630)
- Imaginary church interior with a procession (1624)
- The Idolatry of Solomon (1622)
- Landscape with Allegories of the Four Elements (1635)
- The Ball (1610)
- Marriage at Cana (1630)
- The Damned being cast into Hell (1607)
- Madonna with Angels (1623)
- Vertumne et Pomone (1612)
- Garland of Flowers with Adoration of the Shepherds (c. 1625/1630)
- Allegory of Sight and Smell (1620)
- The Tower of Babel (1650)
- Lot and his daughters (Genesis 19:30-38) (1601)
- Viaticum inside a church (1636)
- Allegory on the Christ child as the lamb of God (1616)
- Allegory on the Abdication of Emperor Charles V in Brussels (1635)