Félicien Rops
1833–1898 · Symbolism
Félicien Victor Joseph Rops was a Belgian artist associated with Symbolism, Decadence, and the Parisian fin de siècle, and was a member of the Les XX group. He was a painter, illustrator, caricaturist and a prolific and innovative print maker, particularly in intaglio. Although not well known to the general public and initially sought after as a pornographer, Rops was greatly respected by his bohemian peers and actively pursued and celebrated as an illustrator by the publishers, authors, and poets of his time. He provided frontispieces and illustrations for works by Jules Barbey d'Aurevilly, Charles Baudelaire, Charles De Coster, Théophile Gautier, Joris-Karl Huysmans, Stéphane Mallarmé, Joséphin Péladan, Paul Verlaine, Voltaire, and many others. Best known today for his prints and drawings illustrating erotic and occult literature of the period, he also produced oil paintings including landscapes, seascapes, and occasional genre paintings. Rops is recognized as a pioneer of Belgian comics.
28 paintings
- The Man with the Wild Woman
- Hinter den Kulissen (1878)
- Der Eingang zum Ball (1858)
- Die Marionettenfrau mit Fächer (1873)
- Heyst, 1881 (1881)
- Das Lied des Cherubin (1879)
- Die soziale Revolution
- Der Abschied der Narren - Lieber lachen als weinen (1879)
- Nach Mitternacht (erst die Rückkehr läßt einen die Abwesenheit schätzen)
- Milch vom Liebchen (1879)
- In der Klemme (1882)
- Die Marionettenfrau (1884)
- Pears and Apple on a Plate (1882)
- Sneeuw te Thozée (1898)
- Kopf einer alten Antwerpenerin (1873)
- Louis Namêche
- Die Satanisten. Das Opfer. (1882)
- Die Satanisten. Die Entführung (1882)
- The incantation (1878)
- The Fishing Port of Blankenberge
- Barges in Dinant
- Bridge over the River Lesse
- Strand
- Landscape in the Ardennes (1882)
- Landscape in Sweden (1871)
- Death at the Ball (1870)
- Combate entre un hombre y un moloso en el país valón
- The lady with the puppet (1885)